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周一早上,黄心芸站在了天津茱莉亚学院的门前。太阳底下,这座极具现代感的建筑闪闪发光。“那一刻真的觉得很震撼!太漂亮了!我拍了很多照片,分享给纽约的学生。”

在接下来的一周里,这位来自纽约茱莉亚学院的华裔中提琴家,会在天津校区举办一系列专业课和大师课,与学生们分享她多年来的演奏和教学经验。4月17日,黄心芸还将举办专场音乐会:上半场她将呈现六首独具匠心的独奏曲目;下半场她还将携手三位天津茱莉亚常驻教师——单簧管演奏家周相宇、钢琴家苏玉莹和小提琴家何为,以及两位在读研究生,演绎纽约茱莉亚学院音乐学院院长、作曲家大卫·路德维希(David Ludwig)的《沙漠之花》和莫扎特的《A大调单簧管五重奏》。

中提琴常被认为是一座桥梁,黄心芸说:“它可能不如小提琴靓丽,也不比大提琴醇厚,但我觉得中提琴有一种独有的哀愁,能表达很多丰富的情绪。因为对中提琴的热爱,莫扎特在弦乐四重奏中又加了一把中提琴变成了五重奏,在很多片段中,为中提琴增加了一重领奏的角色;到了勃拉姆斯,就开始有乐章是以中提琴为主角的;而从十九世纪到现在,中提琴演奏和文献更是有了巨大的发展。”

谈及音乐会的选曲,黄心芸认为完美实现了“两相呼应”,“特别是上半场的独奏曲目,它们曾以多种组合形式存在于我的脑海中,最终如拼图般结晶成形。每首作品都以独特的气质打动着我,我希望能以两两成组、对话呼应的方式呈现给大家。”



伟大的艺术总能唤起我们心中对永恒与普世真理的感知。那些最动人的音乐,往往源于我们对土地的敬畏与灵感——西贝柳斯笔下无垠的孤寂、柴可夫斯基描绘的壮阔山河、勃拉姆斯林中漫步的宁静、德彪西变幻无穷的光影、史蒂文·麦基戏剧性的峰峦,以及周文中对宏伟愿景的追忆。人性是贯穿其中的纽带,让我们得以稍稍触及这些伟大艺术家的内心世界与他们扎根的土地。这场音乐会,希望带领大家重拾这片土地赋予的深刻灵感,重新学会凝视周遭的世界。


黄心芸

中提琴家


黄心芸在排练中


#天与地


音乐会开场是“天与地的对话”,“出生于1979年的安德鲁·诺曼是美国当下炙手可热的作曲家,《萨比娜》来自他的罗马朝圣之旅。这首作品中,他探索了弓弦接触点的无限可能,拓展了声音的边界,开头几近无声的絮语和结尾的那束高音,都像天籁一般。相比之下,利盖蒂《中提琴奏鸣曲》则探索了截然相反的音响维度,这首匈牙利风格的作品充满了泥土般的厚重质感,始终在中提琴最低的C弦上缓慢铺展。”


黄心芸、苏玉莹和周相宇


#冲突与和解


阿塔尔·阿罗德《第8号随想曲》欣德米特《中提琴奏鸣曲,作品31之四》诉说着“冲突与和解”,“阿塔尔·阿罗德是我们这个时代最杰出的中提琴家之一,也是一位才华横溢的作曲家。他的十二首随想曲以诙谐的笔触直接对话舒伯特、巴托克、欣德米特等大师,《第8号随想曲》的灵感来自欣德米特的《中提琴奏鸣曲,作品11之四》,同时我选择了欣德米特的另一首奏鸣曲,作品31之四。”


何为、孟子成和黄心芸


#逝去与重生


“我是在墨尔本认识的英国作曲家萨莉·比米什,我们俩都很喜欢大自然,因此成了好朋友。《那片不久前的土地》应该是中国首演,这虽然是2003年的作品,但萨莉告诉我很少有人演出。去年萨莉把谱子寄给我,我花了几个星期研究作品,又把录音发给她听取她的意见。有机会与作曲家本人探讨作品的演绎,对于演奏家来说是无比幸福的,我想这也是我们演出在世作曲家作品的责任。这首曲目灵感来自七个世纪以前的阿拉伯诗歌,而郭文景则在《戏曲两折》中以精妙的西方作曲技法重构了中国戏曲的神韵。这两部作品构成了‘逝去与重生’。”


何为、孟子成、黄心芸、刘芸贝和周相宇


#古典与当代


音乐会下半场,黄心芸将与天津茱莉亚师生合作呈现大卫·路德维希为单簧管、中提琴与钢琴而作的《沙漠之花》莫扎特《A大调单簧管五重奏》。“作曲家都在书写当下,大卫因为一个悲伤的故事创作了《沙漠之花》,他在用自己的音乐记录历史。在我看来,大卫树立了这个时代伟大作曲家的典范。在何为老师的提议下,音乐会最后我们选择回望历史,呈现伟大作曲家莫扎特的《A大调单簧管五重奏》,我也非常期待与天津同事和学生的合作。”


排练图片 © Yuqing Wang



茱莉亚客座教师音乐会

JUILLIARD VISITING FACULTY RECITAL

黄心芸,中提琴

Hsin-Yun Huang, Viola


演出曲目

PROGRAM


安德鲁‧诺曼(b. 1979)

《萨比娜》,为中提琴独奏而作(2008-2009)


ANDREW NORMAN (b. 1979)

Sabina, for Solo Viola (2008-2009)



捷尔吉‧利盖蒂(1923-2006)

中提琴奏鸣曲(1991-1994)

Ⅰ. 悠长的霍拉舞曲


GYÖRGY LIGETI (1923-2006)

Viola Sonata (1991-1994)

Ⅰ. Hora lungă



阿塔尔‧阿罗德(b. 1945)

第8号随想曲


ATAR ARAD (b. 1945)

Caprice No. 8



保罗‧欣德米特(1895-1963)

中提琴奏鸣曲,作品31之四

Ⅱ. 歌曲:安静地,几乎没有表情。缓慢的四分音符节奏


PAUL HINDEMITH (1895-1963)

Viola Sonata, Op. 31, No. 4

Ⅱ. Lied. Ruhig, mit wenig Ausdruck. Langsame Viertel



萨莉‧比米什(b. 1956)

那片不久前的土地(2003)


SALLY BEAMISH (b. 1956)

That Recent Earth(2003)



郭文景(b. 1956)

戏曲两折

Ⅰ. 川剧青衣

Ⅱ. 京剧武生


WENJING GUO (b. 1956)

Two pieces from Chinese Opera

Ⅰ. Sichuan Opera

Ⅱ. Beijing Opera


中场休息

INTERMISSION


大卫‧路德维希(b. 1974)

《沙漠之花》,为单簧管、中提琴与钢琴而作(2009)

周相宇*,单簧管

黄心芸,中提琴

苏宇莹*,钢琴


DAVID LUDWIG (b. 1974)

Flowers in the Desert, for Clarinet, Viola and Piano (2009)

Xiangyu Zhou*, Clarinet

Hsin-Yun Huang, Viola

Allie Su*, Piano



沃尔夫冈·阿玛多伊斯·莫扎特(1756-1791)

A大调单簧管五重奏,K. 581

周相宇,单簧管

何为*,小提琴

孟子成°,小提琴

黄心芸,中提琴

刘芸贝°,大提琴


WOLFGANG AMADEUS MOZART (1756-1791)

Clarinet Quintet in A Major, K. 581

Xiangyu Zhou, Clarinet

Wei He*, Violin

Zicheng Meng°, Violin

Hsin-Yun Huang, Viola

Yunbei Liu°, Cello


*天津茱莉亚常驻教师|Tianjin Juilliard Resident Falcuty

° 天津茱莉亚研究生|Tianjin Juilliard Graduate Student


本场演出曲目以现场演奏为准

The program is subject to change



黄心芸

HSIN-YUN HUANG

向上滑动阅览

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华裔知名中提琴家黄心芸为国际中备受推崇的中生代中提琴演奏家。曾获1993慕尼黑ARD国际音乐大赛中提琴首奖;日本文化村音乐厅大奖。1988年,她更成为莱诺特堤斯国际大赛最年轻的金牌得主。拥有如此傲人的成绩,使其演出邀约不断,曾于慕尼黑与巴伐利亚广播交响乐团协奏演出,并由电视台转播。其他合作过的乐团包括萨格勒布独奏家合奏团、东京爱乐乐团、柏林广播交响乐团、俄罗斯国家爱乐乐团、台北爱乐乐团、台北市立交响乐团、长荣管弦乐团等。


黄心芸目前定居纽约,是位活跃的独奏家,在欧美等地举办多场独奏会、室内乐,更多次受邀于介寿馆音乐会演出。黄心芸同时也是世界知名的室内音乐节常客,包括万宝路音乐节、罗马室内音乐节、英国普鲁夏柯夫音乐节、艾帕索国际室内音乐节室、温哥华室内音乐节等。1997年秋,她参与了小提琴家林昭亮召集的“1997国际巨星音乐节”,与多位重量级演奏家同台演奏,包括马友友、杰米拉·雷多、麦克·特利、盖瑞·霍夫曼等。


1994年至2000年间,黄心芸为伯罗米欧弦乐四重奏一员,并与该团参与了意大利斯波莱托音乐节、科罗拉多的柏拉弗音乐节、法国迪沃纳音乐节、荷兰奥兰多音乐节、波特兰的西北室内音乐节等,也曾在纽约艾莉丝杜利厅、伦敦维格摩音乐厅、柏林爱乐厅、日本卡萨尔斯厅、阿姆斯特丹皇家大会堂等著名场地演出。黄心芸2013-2015年也曾任韩国世宗国际音乐节艺术总监。与小提琴家Jenny Koh和大提琴家Wilhelmina Smith组了Variation弦乐三重奏,经常获邀演出。黄心芸于2012年录制《中提琴 中提琴》,其中包括由Elliott Carter和George Benjamin等作品,此专辑曾获留声机和BBC音乐杂志特别荣誉。


黄心芸曾就读台北光仁小学及师大附中音乐班,师事陈廷辉、薛孝明、陈秋盛;14岁即前往英国梅纽因音乐学院就读,师事竹野戴维。在费城柯蒂斯音乐学院师事麦克特利,并取得学士学位,之后再前往茱莉亚学院攻读硕士,师事山谬·罗兹。曾多年任教于纽约曼尼斯音乐院,目前她任教于柯蒂斯音乐学院及茱莉亚学院,致力于中提琴教育推广,并于2017年成立VivaViola黄心芸国际中提琴音乐节,汇集亚洲优秀中提琴家及学员,藉由短期、密集、精致的课程,带来具有启发性的学习工作坊。

Hsin-Yun Huang has forged a career as one of the leading violists of her generation, performing on international concert stages, commissioning and recording new works, and nurturing young musicians. Ms. Huang has appeared as soloist with prominent ensembles worldwide including the Berlin Radio Orchestra, Tokyo Philharmonic, Bogotá Philharmonic, NCPA Orchestra in Beijing, Zagreb Soloists, International Contemporary Ensemble, London Sinfonia, and Brazil Youth Orchestra. She appears regularly at festivals including Marlboro, Santa Fe, Rome, Spoleto USA, Moritzburg, Music@Menlo, and the Seoul Spring Festival. She tours extensively with the Brentano String Quartet, most notably including performances of the complete Mozart string quintets at Carnegie Hall. A passionate proponent of music education, she began a hybrid educational space called VivaViola! with the mission to expand the viola repertoire while preserving musical values and history through dialogues with esteemed musicians of today.


In the 2023-24 season, Ms. Huang performs at the Chamber Music Society of Lincoln Center, where she is a regular guest, including opening night; Philadelphia Chamber Music Society; Moss Art Center, featuring the world premiere of James MacMillan’s Viola Quintet with the Brentano String Quartet (Blacksburg, VA); Brown University, featuring the world premiere of Eric Nathan's Double Concerto No. 2 for Two Violas, with co-soloist Misha Amory and the New York Classical Players (Providence, RI); Asia Society, featuring the workshop premiere of sisila ila ila: saying goodbye, a musical about the environment, featuring shadow puppetry and whale songs; and Amsterdam Biennale at Muziekgebouw, with Brentano String Quartet. She also tours with John Malkovich, Aleksey Igudesman, Hyung-ki Joo, and other great musicians with a program entitled “The Music Critic.”


Last season, Ms. Huang co-commissioned Lei Liang, a Grawemeyer Award winner, to curate “Strings of Soul,” a program for viola and pipa, featuring virtuoso Wu Man. The program is inspired by authentic folk elements from around the world. The previous year included multidisciplinary collaborations with choreography by Ashkenazy Ballet, based on Ms. Huang’s solo viola project FantaC.


Past highlights also include concerto performances conducted by David Robertson, Osmo Vänskä, Xian Zhang, and Max Valdés in Beijing, Taipei, and Bogotá, and appearances at Carnegie Hall and Lincoln Center. Ms. Huang has performed the complete Paul Hindemith viola concertos with the Taipei City Symphony and was the first solo violist to be featured at the National Center for the Performaning Arts in Beijing. She has also performed at New York’s 92nd Street Y and the Seoul Spring Festival.


In recent years Ms. Huang embarked on a series of major commissioning projects for solo viola and chamber ensemble. To date, the project includes compositions by Shih-Hui Chen (Shu Shon Key, which Ms. Chen also arranged for orchestra) and Steven Mackey (Groundswell), which premiered at the Aspen Festival. Ms. Huang’s 2012 albumViola Viola, on Bridge Records, includes the two pieces, along with music by Elliott Carter, Poul Ruders, and George Benjamin. The album won accolades fromGramophoneandBBC MusicMagazine. Her most recent releases areFantaC(2020), a collection of solo viola pieces all based on the C string, andViola Lens(2019), which features the complete unaccompanied sonatas and partitas of J.S. Bach, in partnership with violist Misha Amory.


Ms. Huang received degrees from The Juilliard School and The Curtis Institute of Music. She has given master classes at the Guildhall School in London, the Royal Conservatory of Music in Toronto, the San Francisco Conservatory, Yong Sie Tow Conservatory in Singapore, and the McDuffie Center for Strings at Mercer University. She served on the jury of the 2011 Banff International String Quartet Competition, the 2022 Tokyo International Viola Competition and the 2023 Melbourne Chamber Music Competition.


Ms. Huang first came to international attention as the gold medalist and the youngest competitor in the 1988 Lionel Tertis International Viola Competition; in 1993 she was the top-prize winner in the ARD International Competition in Munich, and was awarded the highly prestigious Bunkamura Orchard Hall Award. She was a member of the Borromeo String Quartet from 1994 to 2000.


Ms. Huang is currently on the viola faculty at the Juilliard School and the Curtis Institute of Music; she is grateful for her teachers — David Takeno, Peter Norris, Michael Tree, and Samuel Rhodes. She is married to Misha Amory, violist of the Brentano String Quartet. They live in New York City and have two children, Lucas and Leah. She plays on a 1735 Testore Viola.


来源:TJS 天津茱莉亚学院


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