10月11日至15日，茱莉亚415古乐团（Juilliard415）将首次来访天津茱莉亚学院开展驻院讲学和演出。随后，乐团将携手茱莉亚学院校友、女中音齐尼娅·普斯卡兹·托马斯（Xenia Puskarz Thomas）开启首次中国巡演。

• 10月13日，天津茱莉亚音乐厅

•10月16日，中国音乐学院（北京）

•10月18日，江苏大剧院（南京）

•10月19日，金鸡湖音乐厅（苏州）

•10月20日，西岸美术馆（上海）

此次驻院天津茱莉亚学院，茱莉亚415古乐团将于10月13日呈现他们在中国的首场音乐会“一场音乐的盛宴：巴洛克协奏曲与舞曲”，演绎巴赫、亨德尔、维瓦尔第，以及阿尔坎杰罗·科雷利和让·弗里·雷贝尔的经典曲目。与此同时，乐团艺术家还将为预科学生举办工作坊，并与研究生进行管弦乐研讨会，携手天津茱莉亚管弦乐团展开联合排练，向天津的学生和观众们展现巴洛克音乐的繁花似锦。

巴洛克协奏曲与舞曲

A FEAST OF MUSIC:

CONCERTOS AND DANCES OF THE BAROQUE

茱莉亚415古乐团

罗伯特·米利

指挥兼小提琴

Juilliard415

Robert Mealy

Director and Violin

演出曲目

PROGRAM

阿尔坎杰罗·科雷利（1653–1713）

D大调大协奏曲，作品6之四

ARCANGELO CORELLI (1653–1713)

Concerto Grosso in D Major, Op. 6, No. 4

格奥尔格·弗里德里希·亨德尔（1685–1759）

舞曲，选自忒耳普西科瑞

GEORGE FRIDERIC HANDEL (1685–1759)

Dances from Terpsicore

安东尼奥·维瓦尔第（1678–1741）

D小调协奏曲，作品3之十一

ANTONIO VIVALDI (1678–1741)

Concerto in D Minor, Op. 3, No. 11

让·弗里·雷贝尔（1666–1747）

舞蹈的角色

JEAN-FÉRY REBEL (1666–1747)

Les Caractères de la danse

约翰·塞巴斯蒂安·巴赫（1685–1750）

舞曲，选自B小调第二组曲，BWV 1067

JOHANN SEBASTIAN BACH (1685–1750)

Dances from Suite No. 2 in B Minor, BWV 1067

安东尼奥·维瓦尔第（1678–1741）

A大调协奏曲，作品3之五

ANTONIO VIVALDI (1678–1741)

Concerto in A Major, Op. 3, No. 5

茱莉亚415古乐团

Juilliard415

本场演出曲目以现场演奏为准

The program is subject to change

茱莉亚学院古乐表演系感谢Sidney J. Weinberg基金会的捐赠与支持。
Juilliard Historical Performance is grateful for endowment support from the Sidney J. WeinbergFoundation.

茱莉亚学院古乐演奏系全额奖学金项目于2008年在Bruce Kovner和Suzie Kovner夫妇的慷慨支持下创立并设立捐赠基金。
Juilliard's full-scholarship Historical Performance program was established and endowed in 2008 by the generous support of Bruce and Suzie Kovner.

在今天的音乐会中，茱莉亚415古乐团将带大家探索十八世纪欧洲的两大重要音乐风格——意大利与法国。意大利音乐家们的音乐语言与创作方式充满了高超的技艺、创造力与激情，这在他们的协奏曲中被展现得淋漓尽致；而法国音乐家们则在追求优雅舞曲曲式的同时，塑造出优雅动人的组曲。这两种曲式融汇成了一场别开生面的音乐对话，呈现出技艺与机智的完美结合。

罗伯特·米利撰写

Our program explores the two greatlanguages of music in 18th-century Europe: one of passion, which was brilliantly displayed in their concertos and arias. Meanwhile, the French, who were perfecting the elegant forms of dance, created beautifully poised suites. Our program brings these two styles together for a musical conversation.

by Robert Mealy

阿尔坎杰罗·科雷利
出生日期：1653年2月17日，意大利，富西尼亚诺
逝世日期：1713年1月8日，罗马

音乐会将以阿尔坎杰罗·科雷利经典的一首大协奏曲拉开序幕——他是音乐史上第一位享誉国际的小提琴演奏巨星。科雷利自1680年代起便开始了这一类型乐曲的创作，并在其一生中不断精雕细琢、推翻重作。1715年，他与世长辞，此后这些作品才得以被出版。大协奏曲是一种独特的协奏曲形式，由一个三重奏（两把小提琴与一把大提琴）作为主奏部，再由一组数量更多的乐器担任协奏部，乐曲具有极强的对话性，由主奏部和协奏部的一问一答构成。

科雷利的音乐大多呈现出精妙绝伦的构造，其D大调第四大协奏曲便是如此，乐句与结构的编排均衡协调；尤其值得一提的是那段动人的慢板乐章，伴随着灵动的八分音符，在宽广的和弦中层绽开。随着一闪而过的小快板段落，乐章以一段吉格舞曲结束，犹如闭幕时绽放的绚烂烟花。

Arcangelo Corelli
Born: February 17, 1653, in Fusignano, Italy
Died: January 8, 1713, in Rome

We open with one of the great concerti grossi by Arcangelo Corelli, the first international superstar on the violin. Corelli began writing these pieces in the 1680s, when he was in his 20s. He continued to polish and rework them throughout his life. They were finally published after his death, in 1715, and became a great hit across Europe, especially in England. The concerto grosso is a special kind of concerto, where a trio of soloists (two violins and cello) is contrasted with the larger ensemble. This music is very conversational, with the soloists proposing an idea and the ensemble answering them.

Like all of Corelli’s music, his Concerto Grosso in D Major is a beautifully crafted piece of musical architecture, with balanced phrases and structures. It opens with four sonorous chords, like the pillars of a great entranceway, which sets the stage for the bustling activity of a fast-paced Allegro. Then follows a gorgeous Adagio of pulsing eighth notes in slowly transforming harmonies. After a quick dancing Vivace, the concerto ends with a gigue that explodes into fireworks at the end.

格奥尔格·弗里德里希·亨德尔
出生日期：1685年3月5日，德国，哈雷
逝世日期：1759年4月14日，伦敦

格奥尔格·弗里德里希· 亨德尔对科雷利推崇备至，他创作的大部分音乐都带有意大利戏剧风格，但在1734年巴黎舞蹈巨星玛丽·莎莱到访伦敦时，他为其特别创作了《忒耳普西科瑞》这套法国舞曲组曲，以希腊舞蹈女神命名。组曲以一段简短序曲开启，接着是一段欢乐雀跃的恰空舞曲，后又响起一阵悠扬的萨拉班德舞曲，前后形成鲜明对比。亨德尔增添了一段表现角色嫉妒痛苦的舞曲，充斥着愤怒与悔恨交织的情感，最后以一段欢快的吉格舞曲为组曲画上句号。

George Frideric Handel
Born: March 5, 1685, in Halle, Germany
Died: April 14, 1759, in London

George Frideric Handel was a huge fan of Corelli’s, and much of Handel’s music is in the theatrical Italian style. But he created one special suite of dance music for the superstar French dancer Marie Sallé when she came to London in 1734. Called Terpsicore after the Greek muse of dance, this suite is made up of the classic French dances, with a celebratory chaconne followed by a sarabande full of dramatic contrasts. Handel added a character dance about the pains of jealousy, full of rage and regret, and then closes the suite with a joyous Gigue.

安东尼奥·维瓦尔第
出生日期：1678年3月4日，威尼斯
逝世日期：1741年7月28日，维也纳

安东尼奥·维瓦尔第是科雷利在小提琴界的“劲敌”。当时有种说法，就是科雷利的演奏如孩童般甜美，而维瓦尔第的演奏则如琴魔低语。维瓦尔第的作品三《和谐的灵感》协奏曲发表于1710年，之后迅速风靡欧洲。这组协奏曲宛如完美的流行乐曲，每个乐章仅三分钟，却蕴含着众多令人记忆深刻的音乐巧思。

维瓦尔第的D小调协奏曲与科雷利的D大调协奏曲运用了相同的小提琴独奏组合，但科雷利的作品结构更均衡对称，维瓦尔第的音乐则展现出强烈的流动感与活力。此曲充满了惊喜转折，小提琴之间的激烈对抗开场后，突然响起一阵干净利落的和弦，仿佛在邀请独奏者们就着这和弦即兴演奏。随之而来的是一段赋格，各个声部依次展开演奏，最后响起一段动人的西西里舞曲，让第一小提琴有机会奏响如泣如诉的乐段。最后，包含各种精湛演奏技巧的合奏响起，将协奏曲送入尾声。

Antonio Vivaldi
Born: March 4, 1678, in Venice
Died: July 28, 1741, in Vienna

Antonio Vivaldi was the great violinistic rival of Corelli’s: People said that Corelli played like an angel but Vivaldi played like the devil himself. Vivaldi’s Op.3 concertos were published in 1710 and immediately became massively popular across Europe. These concertos are like perfect pop songs, with each movement only about three minutes long, and full of memorable phrases.

Vivaldi’s D-minor concerto is written for a similar combination as Corelli’s D-major concerto, but where Corelli’s writing is full of balanced symmetry, Vivaldi’s music is propulsive and kinetic. This piece is full of surprising turns. After a dramatic opening battle between the violins, we are stopped by a series of bare chords, which invite the soloists to improvise between them. A fugue follows, with each voice taking up the argument in turn. A gorgeous siciliano is an opportunity for the first violin to sing a yearning solo. The concerto ends with a burst of virtuosity from the ensemble.

让·弗里·雷贝尔
出生日期：1666年4月18日，巴黎
逝世日期：1747年1月2日，巴黎

让· 弗里· 雷贝尔的名气远不如巴赫、亨德尔和维瓦尔第，但他生前是法国音乐风格的重要领军人物之一。他的《舞蹈的角色》是玛丽·莎莱一段著名独舞的音乐，混搭拼接了当时所有的流行舞曲，在各类舞曲之间迅速切换。雷贝尔既热爱意式的华丽技巧，也欣赏法式的优雅，他在最后加入了一些精彩的小提琴乐段，创造出极具震撼力的结尾。

Jean-Féry Rebel
Born: April 18, 1666, in Paris
Died: January 2, 1747, in Paris

Jean-Féry Rebel is a much less familiar figure than Bach, Handel, and Vivaldi, but during his life he was one of the great leaders of French style. His Caractères de la danse was another of Marie Sallé’s famous solos. It’s a club mix of all the hit dances of the day, a series of very different characters, which gave Sallé the chance to show off her virtuosity in quick changes of mood. Rebel loved Italian virtuosity as much as French grace, and towards the end you’ll hear the violins launch into some fiery passage-work together.

约翰·塞巴斯蒂安·巴赫
出生日期：1685年3月31日，德国，艾森纳赫
逝世日期：1750年7月28日，德国，莱比锡

约翰·塞巴斯蒂安·巴赫本人也很喜爱法式舞曲风格，并在这些优雅曲式中融入了自己的对位技巧和复杂和声。他在B小调第二长笛组曲中展示了当时最流行的舞曲形式：一段让人凝神屏息的布列舞曲，接着是高雅的波罗乃兹舞曲，再过渡到优雅平稳的小步舞曲，最后以快速灵动的谐谑曲乐章结束。

Johann Sebastian Bach
Born: March 31, 1685, in Eisenach, Germany
Died: July 28, 1750, in Leipzig, Germany

Johann Sebastian Bach himself loved the French dance style, and added his own contrapuntal and harmonic complexity to these elegant forms. The dances from his Flute Suite No.2 in B Minor include the most fashionable dances of the time: a breathless Bourrée, a noble Polonaise, an elegant and poised Minuet, and finally a Badinerie, a movement that is all about the play of quick wit.

音乐会的最后，是维瓦尔第另一首精彩的协奏曲——A大调协奏曲，作品3之五。他的A大调双小提琴协奏曲在今天并不太为人所知，但在他生活的时代，尤其在英格兰，这部作品是极受欢迎的，被称为“维瓦尔之五”。这部作品采用经典的三个乐章协奏曲式，包含两段热情奔放的快板与第一小提琴深情演奏的慢板。

We close our concert with another great concerto from Vivaldi’s Opus 3 collection. His A Major Concerto for two violins is not so well-known today, but it was by far the most popular in his day, especially in England where it was simply known as “Vivaldi’s Fifth.” It is in the classic three-movement concerto form, with two high-speed Allegros framing a gorgeous and heartbreaking solo Largo for the first violin.